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Coda Ultra-Compact Personal in Ear Monitor Amplifier - Single Channel Headphone Amplifier System with XLR & TRS Input - Portable IEM Amp with Mono & Stereo Mix Panning - Sturdy Housing with Belt Clip

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$39.95

$ 17 .99 $17.99

In Stock

1.Size:Dual Channel


About this item

  • PERFECT MIX EVERY TIME: Get the ‘goldie locks’ mix every gig or rehearsal. The powerful amp has more than enough power to boost even the weakest line level signal.
  • CUSTOMIZE YOUR MIX: Dial in a mono or stereo mix, get “more me” on demand. Pan instruments, metronomes, and aux tracks.
  • PROTECT YOUR HEARING: Use with noise blocking in ears to keep the dBs down on loud stages. The built in limiter protects your hearing from unexpected clips or peaks.
  • FLEXIBLE INPUT CONNECTION: Hybrid input connector give you the versatility to use XLR or TRS connector. XLR connector locks in for extra security.
  • EASY TO WEAR AND TRANSPORT: The light weight enclosure is more compact than ever, and as durable as always.
  • BATTERY POWERED: Be outlet independent with (2) AAA batteries. The battery status light makes sure you never lose power mid gig or rehearsal.


Can I Get More Me In The Monitor?

Do you always need “more me” in your monitor? We got you covered! The IEM-One is a personal in ear monitor amplifier that gives you customized monitoring with clean clarity at every gig and rehearsal. With multiple input connection options, mono and stereo mix settings, and a built in limiter, you have a flexible and clear mix so you can perform your best.

Why Use An In Ear Monitor Amplifier?


Quiet stages and in ear monitoring make for the best front of house mix, and many venues have done away with on stage monitors entirely. Not only are on stage monitors often bad for the front of house mix, they can also be bad for your hearing.


And unlike complicated in-ear monitor systems, the IEM-One is highly portable and ridiculously easy to set up. It easily clips onto a belt or strap without intrusion, and takes the same lines an active on stage monitor does (XLR or TRS).

Is the rest of the band still using on stage monitors? No sweat! Your whole band doesn't need to be on an IEM system. In fact, no one else needs to use an IEM system for you to get the perfect mix. The IEM-One in ear monitoring amp can be used by itself. Perfect for drummers who utilize a click track, or keys players who don’t have amps to use as reference monitors.


And it’s perfect for any musician who wants a great mix every time.


Specs:

Input Channels: 1-channel mono/stereo

Analog Inputs: Combo TRS & XLR

Analog Output: 1/8" stereo

Power: AAA battery

Battery Life: 10 hours

Designed & Engineered in USA



Sound&fury
2025-09-03 11:37:35
Exactly what I needed. Battery/power supply option, mono/stereo, XLR/TS, pan, volume. Already used it at home for monitoring and at a gig. Works great. Feels solid in construction. Power/volume and pan knobs have a satisfying but no too strong resistance making it feel like it’s well-built. Easy to connect, feels like money well spent.
R David
2025-08-23 15:44:07
SMALL STUDIO/HOME RECORDING STUDIOS- TAKE *NOTE* These are Sturdy, well constructed, economical and appears to be durable enough to withstand the daily abuse of touring and recording -We purchased the 2 channel version for our record studio —TwilightFlyerRecording, and plan to get 3-4 more. The 2 channel version allows a studio on a budget to send more individualized headphone monitor feeds tothe players recording-rather than ear-buds, we plugged in $400 AT headphones-and the sound is crisp, undistorted, and the player can adjust the balance and volume themselves. We fed th players instrument ( in this case, my bass) to one channel, and the overall mix to the other, and I was able to adjust the level of my bass against the track without A- changing the volume I was sending to the engineer, and B-without bugging that same engineer to turn me up or down. ONE 16channel personal studio track monitor rig costs the same as 8-10 of these beauties. Thats good small studio management!
Ken Johnson
2025-06-07 09:30:50
Great control over dual inputs
S. Silehca
2025-06-02 16:39:12
I initially purchased a Behringer Powerplay P1 Personal In-ear Monitor Amplifier, however the Amazon listing didn't mention that it requires line-level XLR input, not mic-level XLR.I then tried the Behringer P2 Ultra-Compact Personal In-Ear Monitor Amplifier, but it had terrible static (just touching the XLR cable increased the static).I then tried both the Coda Music Tech Personal in-Ear Monitor System and the Rolls PM50se. The Coda is no slouch. It supports both a 9V battery and DC transformer (a transformer is included with the Rolls but not the Coda) and has two XLR inputs. However, the audio quality on the Rolls was much better than the Coda, the volume on the Coda was significantly lower (20% or 30% on the Rolls is similar to 100% on the Coda), the Rolls has a XLR pass through (which avoided the need for an XLR Y-splitter in my case), unlike the Rolls, the Coda had a LOUD pop when turning on the power.For my needs, the Rolls PM50se was clearly a better choice (granted, the Coda would have been my choice if I needed to mix two XLR inputs).
Hector Manuel Padilla
2025-05-31 10:49:22
I also have the behringer p2 but I like this much more, very sturdy easy to use and works great, I purchased 8 to use with my band and works like a charm
L. Bullock
2025-05-30 13:12:58
I'm always a little gunshy of gushing for electronic gadgets. Most work (if they're going to) right out of the box. The test is whether they hold up under use. My first impression of this unit is that it's durable and well built. I'm using it with earbuds for a solo acoustic guitar/ singer gig. I must admit the sound quality is very good, but I've never used IEM systems before so I have nothing to compare them to. I'll revisit this review if the unit craps out or fails to perform well after 6 months. But, so far so good and I'll never go back to floor monitors if I don't have to. It was a game changer for me. UPDATE: I will the first to say that I really notice a difference when I'm not using the in ear monitors, HOWEVER: There is some distortion of the acoustic guitar ( I play a Martin J-40 so the guitar is NOT the problem) when mixed with vocals and god forbid you should try to play a harmonica on a rack with the IEM. I'm probably just not using it right, or there's some mathematics that I haven't discovered, but it is annoying. Is it because the earphones are inexpensive? Heck, I'll buy more expensive ones if that's the case. Anyone out there know?
LarzT
2025-05-27 16:14:02
I use this at my church and was able to create my own mix. Loving it!!!
Gary S.
2025-05-15 11:17:51
I like the concept! I'm a working drummer who sings backup. I need to hear the other singers as well as my voice. I had trouble with my other in-ear monitor, so I wanted to try the Coda. The volume level is weak. Plus after the 1st set, the battery cover broke off.
Leonardo ibarra
2025-04-28 15:39:19
Me gusto su sonido y su cálida del equipo.
JACQUES ROULEAU
2025-04-21 20:45:37
Did not work with my existing Behringer system :(
North dude
2025-01-22 17:31:51
They don't know what it is for ,never listened to it or put it on obviously. A bad copy of a cheap product with an annoying 1200htz permanent tone at any volume.
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